(I used to write a bi-weekly
column, RadioRadio, for Players magazine in the Tampa Bay area.
The following story appeared in 1990.)
Interview: Eric Davis
By
Bob Andelman
Wave Goodbye
Hey, Eric Davis!
Seeeeeee ya!
The long-time disc jockey at WHVE (102.5 FM) hung up the headphones
for the last time in St. Petersburg Wednesday, June 13. He's
planning to climb new mountains - literally - as the new midday
personality at Atlanta's easy listening WPCH ("peach,"
get it?).
Davis says it's mostly coincidence that his departure is falling
so quickly on the heels of Norm Hale's dismissal and the wholesale
dismemberment of the staff at sister station WTKN (570 AM).
"It's a kind of a mutual thing," according to Davis,
who worked at the station from 1982-85 as afternoon drive jock
and returned in 1987 as production director before taking over
the 10 a.m.-2 p.m. slot. "I didn't feel threatened on unsure
of my job. I just think it's time to make a move and it's nice
to be able to do it without any pressure. I'm looking to get
to a little bigger market, get to do some things I haven't been
able to do before. I can't wait to get up there and get into
the mountains."
As one of the last veterans of the original, alternative WAVE,
Davis leaves the station with fond memories but he confirms what
many longtime listeners already knew: one-oh-two-and-a-half ain't
what it used to be.
"This market has gotten real corporate, like a lot of
markets have. I don't think that's all bad. It had to happen,"
he says, pointing to the shakeups at Q105, Power 93, 98 Rock,
etc.
Any regrets?
"I've been a little disappointed with the ratings,"
says Davis. "We knew it wasn't mass appeal, but we thought
the quality aspect would attract more listeners through word-of-mouth.
But I think (with) all the times they messed with the format,
a lot of people left."
As The Q Turns! Latest hire at Q105 is Johnny D., sliding
into Brian Christopher's old 6-10 p.m. slot. D. previously worked
at WRQN in Toldeo, Ohio where he "absolutely owned the night,"
according WRBQ General Manager Michael Horne.
Still no news on who will land the coveted afternoon drive
shift. "We've identified the top two people we want for
the position and we're in the negotiating stage," says Horne.
One person who won't get the job is Tramonte Watts.
"Tramonte will be leaving the station," according
to Horne. "There's no timetable. He made a real strong push
for the afternoon drive." Watts will remain at Q105 for
an indefinite period as Edens Broadcasting - the Q's parent company
- attempts to place him with one of its other stations. Don't
be surprised it the popular Wattster doesn't turn up at 105 again
in the future.
And doesn't he have a great radio name?
For anyone who may have joined us late, let's run through
the Q105 air personality roll call and see where everyone is
now:
Cleveland Wheeler: Back at the Q.
Mason Dixon: Still on salary but off the radio, doing "Mason's
Movie" for WFTS TV-28
Brian Christopher: WNLT (95.7 FM), 7-10 p.m.
Bobby Rich: WUSA (101 FM), 10 a.m.-2 p.m.
Tramonte Watts: Q105 limbo
Jo Jo Walker: WYUU (92.5 FM), 7 p.m.-midnight
Ward Smith: WYUU, producer of "Robbins in the Morning,"
6-10 a.m.
Rockin' Rico: WNLT
Nancy Alexander, Shauna Stevens, Arch Deel, et al: Still at
the Q
Waitamminit, You Say! What about "Night Train"
Lane?
"'Night Train' will go back on the air in his regular
position (2-5 a.m.) when we put the rest of the staff on,"
says Horne.
Lane will also continue as part of the Tampa Bay Bucs broadcast
team.
What, More Q105 Stuff?! Not surprisingly, Mike Horne
is a little touchy on the subject of the mass exodus of air staff
at 105. He says there has been very little turnover in the total
station staff of 85 employees. "We haven't lost anybody
that played a significant role here since the three guys (Dixon,
Christopher, Rich) who left in March," he says. "The
(other) people that are leaving are high-turnover at any radio
station."
Not surprisingly, Horne has mixed feelings about the quick
recovery virtually all former staffers have made. On the one
hand he's glad they're all working, on the other he's not crazy
to have them all as competitors.
"I was really pleased that Bobby Rich landed at 101,"
he says. "Brian Christopher, over at NLT, actually surprised
me a little bit, only because I didn't mentally put them together.
We're real happy the guys were able to find work and stay here
in the market they obviously love."
Beam Me Up, Scotty! Traditional country music fans
ought to check out WQYK-AM (1010). The station has dropped FM
simulcasts to offer the Satellite Music Network's country programming,
providing the first diversification of this format since WSUN
(620 AM) switched from country to news/talk.
"It's a much more traditional sounding radio stations,"
explains General Manager Charlie Ochs. "It serves a group
of people who have felt disenfranchised by modern country. There's
a lot of traditional country that doesn't fit on a modern country
station.
"It's very different sounding station than the FM,"
he says. "We put it on AM because people in the older demographic
tend to drift to the AM band."
Personally, I've always argued against satellite delivered
radio formats because they take the local identity out of radio.
But this is a situation that seems to warrant such a move. Simulcasts
serve no one. The Tampa Bay radio markets needs all the alternatives
it can get and since that goal is served by satellite in this
case, so be it. (Maybe Q105 will take note and consider tinkering
with its AM {1380} simulcast.)
In other QYK news, Jay Roberts is still filling in for the
departed Lou Ann Lovett during the 7 p.m.-midnight shift. Ochs
says a permanent replacement should be in place soon.
The Big Wave! Gordon Obarski, GM of WHVE, says he's
planning to "realign" the station this week. He wouldn't
pop for details at presstime, so tune in to 102.5 or check back
here in 14.
Congrats, Jay! Jay Marvin has indeed been hired for
the late-night talk slot at WFLA (970 AM), as we suspected two
weeks ago he would be.
Those Oldies But Goodies Remind Me Of ... 95ynf! More
than a few people have been bugging me to ask 98 Rock Program
Director Greg Mull about what they perceive as an increase in
the number of "classic" cuts being played during the
day.
So I did.
"We're not playing any more oldies," he says. "I'm
occasionally dropping in a song we hadn't been playing. Every
once in a while I go through the old library and say, 'This would
be interesting.' I'm not messing with the nights. Yesterday I
walked in with Blondie's 'One Way or Another.' And we played
a Clash song. It adds some flavor; psychologically, it's got
to make a difference.
"And I'm trying to play records that YNF (95 FM) doesn't
play," he adds. "I don't want to play 'Layla.' I want
great rock 'n' roll that's got an edge to it that hasn't been
heard in a while."
One song he's toying with slipping in: Der Kommissar's "After
the Fire."
On The Air! We've been pestering stations to provide
advance details of special programming and WYNF (95 FM) Program
Director Tom Marshall is the first to come through. Here's a
few shows to mark on your eadio calendar:
6/17 "Superstar Concert Series: The Who";
midnight
6/18 "Rockline," w/Fleetwood Mac, 11 p.m.
6/24 "Superstar Concert Series: Moddy Blues";
10 p.m.
6/27 "Knebworth Preview," live conversations
with artists playing the big show with audience call-in participation;
11 p.m.
6/30 "Knebworth 1990," live concert from
England featuring Paul McCartney, Pink Floyd, Eric Clapton, Mark
Knopfler, Tears For Fears, Elton John; Noon-10 p.m.
7/1 "Superstar Concert Series: Neil Young";
midnight
7/1 "Up Close: Rolling Stones"; 10 p.m.
7/4 "Rockline Special Edition" w/Robert Plant
7/7 "Rock Stars: The Allman Brothers," preview
of the band's new album and includes new interview with Gregg,
old interview with Duane, 10 p.m.
7/8 "Superstar Concert Series: Don Henley";
10 p.m.
7/15 "Up Close: Rolling Stones"; 10 p.m.
Hey! Got a radio tip, rumor, gossip or question about
radio? Drop us a line or call Players and leave a message. One
of the RadioRadio snoops will get back to you.
©2003,
All rights reserved. No portion may be reproduced without the
express written permission of the author.
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