(I used to write a bi-weekly
column, RadioRadio, for Players magazine in the Tampa Bay area.
The following story appeared in 1990.)
98 Rock Rebuttal: Tom Marshall
By
Bob Andelman
Fourteen days ago I said some pretty strong things about what
I see as a decline in modern rock programming at 95YNF - the
self-proclaimed Home of Rock 'n' Roll. As a long-time listener,
I feel the station is letting me down by sticking with aging
artists to the exclusion of new performers. This is a point of
view I've often expressed in person and by telephone to management
of the station during the past two years.
I still stand by what I said.
At the same time, I'm not unwilling to present other viewpoints.
Tom Marshall, WYNF's program director, took personal umbrage
with my remarks. To be fair, I offered him the opportunity to
respond in this issue. This is what he wrote, unedited:
"In the previous 'RadioRadio' column, Bob Andelman
gave his opinion of the present state of 95YNF's musical programming.
His perception is that the station has become too reliant on
old rock music and not supportive enough of new music. As program
director of 'The Home of Rock 'n' Roll,' I believe strongly in
the music we put on the air. Towards that end I am constantly
striving to provide programming that will be enjoyed by the largest
audience possible, particularly those listeners in the 18-49
age group. "A great deal of people enjoy rock 'n' roll
music. Typically people most enjoy the music they've grown up
with. As a result older listeners tend to relate to rock music
from the late sixties through the middle seventies. At the same
time younger listeners are more excited by the new bands of the
past five years. Of course, there are exceptions with certain
bands that virtually all of the audience enjoys. This applies
to heritage acts like Led Zeppelin and the Rolling Stones and
newer names such as U2 and Def Leppard.
"As it is not possible to be both all things to all people
and still garner the large share of listening audience we need
to be profitable, we choose to focus on the most popular bands
to form the core of our programming. It is no small coincidence
that some of the biggest and most successful concert tours of
the past two years have included the like of The Who, Rolling
Stones and Paul McCartney. Most recently over 31,000 attended
our tenth anniversary show featuring Don Henley, a superstar
who first rose to prominence with The Eagles and has transcended
that group's work with his critically and commercially acclaimed
solo work. The reason we play music from well known heritage
and classic rock artists is because the audience wants to hear
it.
"What is most disturbing to me about Mr. Andelman's comments
is that he fails to point out that 95YNF has and continues to
play a significant amount of new music. We support releases from
established acts like Eric Clapton, Heart, Aerosmith and others
because those artists continue to record viable product on our
station. At the same time we are exposing promising new acts
like Alannah Myles, Jude Cole, Damn Yankees, Black Crowes, Smithereens,
World Party and others because we understand the importance of
pumping new blood into our format. Listeners get an opportunity
to stretch their tastes even further with innovative and alternative
shows like Charlie Logan's 'Radio Clash' and Russ Album's 'Wax
Museum.'
"It all comes down to a matter of degree. It's a balancing
act to present enough new and yet unfamiliar product to the audience
while also giving the listener enough of the tried and true music
to keep him/her listening in sufficient numbers to support our
business. Let me assure everyone that no 'sea of complacency'
exists at WYNF. On the contrary, I welcome input and suggestions
from our listeners. We exist to provide entertainment for you.
That the station has been successful in doing so for ten years
is a testimony to that end."
Tom Marshall
Program Director
95YNF
What do you think?
Send your comments on the subject of heritage vs. progressive
rock radio to RadioRadio, c/o Players, P.O. Box 1867,
Pinellas Park, FL 34664. Or fax us at (813) 578-1414. Letters
written in crayon are okay as long as they are sharp crayons.
Last Word on Watts! Tramonte Watts is history at the
Q, in what will likely to be the last departure note from the
station for some time. Let's get on with the new hires.
Live from LA! Q105 has picked up a new syndicated show
broadcast live from Los Angeles called "Hanging with Hamilton."
The host is "Hollywood" Hamilton, a one-time Q105 jock
now working out of KISS in L.A. "Hanging" airs Sundays
at 9 p.m. and there's an toll-free '800' number listeners can
call to get on the air with Ham.
What, No WMNF News? Hey, Program Director Randy Wynne!
Return our calls!
Catch the WHVE! Better latent than never, as Robin
Williams says, here's the new lineup at 102.5 FM:
5:30-9 a.m. Steve Callahan and Linda Blake
9 a.m.-1 p.m. Bob Cummings
1-4 p.m. Blake Lawrence
4-8 p.m. Tammy Jett
8 p.m.-12:30 a.m. Don Brookshire
12:30-5:30 a.m. Mark Krueger
The new name on the chart is that of Bob Cummings, late of
WFLZ when it was Z93 and "Good Time Oldies." Cummings
has also worked at K-Lite in Houston and WCZY in Detroit. He's
taken over the shift formerly held by Eric Davis, although the
time slot is slightly different.
Answer to John Wertz of Pinellas Park! Did you actually
see her do that?
Ahhhhhhh! More WHVE news.
One-oh-two-and-a-half PD Blake Lawrence is host of "Soundscapes,"
a new Sunday evening program airing at 10 p.m. "Soundscapes"
presents New Age, acoustic and other melodic instrumental selections
in a tidy packages. If you're into that type of music, this would
probably be a good program to record and listen to again later
in the car or at work.
Sold! That bizarre broadcasting dynamo, WTAN (1340
AM) in downtown Clearwater, has changed hands again, according
to The Pulse of Radio, an industry publication. Drenik
Communications, Inc. has purchased the station from Wagenvoord
Advertising Group, Inc. for $990,000. Drenik is owned by Virginia
Chargaris Nikitakis and George Bouris.
©2003,
All rights reserved. No portion may be reproduced without the
express written permission of the author.
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